我是個流浪者，總是在尋找通往美的嶄新途徑。但當這條路最終又一次在林中走到盡頭，我總會回到我所認為陶藝的本質──碗。這是回歸原點，卻不是靜止的原點，而是一個因理解而更加深刻的動態回歸。這是一種詮釋的歷程。如今，在這次的回歸中，我帶回了對織部的著迷——黑織部與鳴海織部。這些茶碗是我的詮釋，是一座連結過去與現在、東方與西方之間的橋樑。流浪者總是鍾情於橋。
I am a wanderer. I am always looking for new ways to achieve beauty. But when a road, inevitably, once again dead-ends in the woods, I always return to what I consider the essence of ceramics, the bowl. It is a return to base, but not a static base. It is a dynamic return to a base deepened by understanding. It is a hermeneutic process. I have now, in this return, brought with me a fascination for Oribe. Black Oribe, and Narumi Oribe. These Chawan are an interpretation, a bridge between then and now, a bridge between east and west. Wanderers love bridges.